Answer:A
Explanation: its a because it says that strategic
• The extent to which the performance management system elicits job performance that is consistent with the organization's strategy, goals and culture
It is the ennui. By the center of the nineteenth century, apathy moved toward becoming related with the estrangement of industrialization and present-day life. Craftsmen and writers experienced it, and soon a claim to apathy was a characteristic of otherworldly profundity and affectability. It inferred sentiments of prevalence and self-respect, the thought being that lone middle-class individuals<span> excessively tricked or doltish, making it impossible to see the essential purposelessness of any activity could be upbeat.</span>
Answer: The reading on the scale will decrease as the elevator descend.
According to Newton's second law of motion which explains that the rate of change of the momentum of a body is directly proportional to, and in the same direction as, the net force acting on it.
In essence as a body moves towards ground, it weighs less and even weighs more upon impact with the ground.
If peradventure, the whole system is in free fall, you, the elevator and the scale will weigh nothing at all.
Young adulthood is a time when a person is in their twenties and often attends college or is in another kind of education. During this time a person has to invest in the their future, while learning how to be financially independent, but the person does not yet other problems, such as ailing health.
So the correct answer is:
b. developing financial freedom.
Answer:
The answer is Backstage Behavior.
Explanation:
How we act back stage is liberated from the desires and standards that shape our conduct when we are front stage. Being at home rather than out in broad daylight, or at work or school, is the clearest boundary of the contrast among front and back stage in social life. Given this, we are regularly more loose and agreeable when back stage, we let our protect down, and we may be what we consider our uninhibited or "genuine" selves. We push off components of our appearance required for a front stage execution, such as swapping work garments for easygoing garments and lounge-wear and perhaps change the manner in which we talk and comport our bodies.
