The Trans-Mississippi Theater of the American Civil War consists of the major military operations west of the Mississippi River. The area is often thought of as excluding the states and territories bordering the Pacific Ocean, which formed the Pacific Coast Theater of the American Civil War (1861–1865).
Map of Trans-Mississippi Theater of the American Civil War, featuring only the major battles
The campaign classification established by the National Park Service of the U.S. Department of the Interior[1] is more fine-grained than the one used in this article. Some minor NPS campaigns have been omitted and some have been combined into larger categories. Only a few of the 75 major battles the NPS classifies for this theater are described. Boxed text in the right margin show the NPS campaigns associated with each section.
Activity in this theater in 1861 was dominated largely by the dispute over the status of the border state of Missouri. The Missouri State Guard, allied with the Confederacy, won important victories at the Battle of Wilson's Creek and the First Battle of Lexington. However, they were driven back at the First Battle of Springfield. A Union army under Samuel Ryan Curtis defeated the Confederate forces at the Battle of Pea Ridge in northwest Arkansas in March 1862, solidifying Union control over most of Missouri. The areas of Missouri, Kansas, and the Indian Territory (modern-day Oklahoma) were marked by extensive guerrilla activity throughout the rest of the war, the most well-known incident being the infamous Lawrence massacre in the Unionist town of Lawrence, Kansas of August 1863.
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A sociological theory by Goffman states that in places like boot camps and prisons, resocialization occurs. These places are termed total institutions. <span>Total institutions exert total control over the lives of people who live there. The places try to eliminate the individual identity and subject them to harsh treatment.</span>
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When you perpendicular-park you should, when possible, select a space that lets you drive into the facing space so that when you leave you will not have to back out.
Perpendicular-park areas are at a 90-degree angle to the reduce, and it's one of the more not unusual ways to park. those spots can be entered from the left or right, however, in case you're in a parking zone, it can be easier to go into areas that might be on your left as they generally offer more space to turn in comfortably.
The perpendicular-park calls for automobiles to be parked aspect via side perpendicular to the aisle or lower, instead of parallel parking in which you are anticipated to park consistent with the lessen. it's miles a type of angled parking, usually used whenever parking areas are to be applied efficaciously.
Perpendicular-park a car:
. pick a parking spot.
. set off your signs or use hand signals to speak your goal to show into the gap.
. technique the parking space slowly.
. turn the guidance wheel sharply toward the parking space.
. regulate the steering wheel to center your car as you pull into the space.
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In Homer’s <em>Odyssey</em>, Telemachus is the son of Odysseus and Penelope. In Book 1, when Odysseus is meant to come home, the goddess Athena disguises herself as Mentes, king of the Taphians, and goes to Ithaca to pay Telemachus a visit. The suitors have been taking advantage of Odysseus’ absence for years, and Telemachus dreams of getting rid of them.
Athena has taken it upon herself to ensure the safe return of Odysseus, and when she sees the situation Telemachus is in, she advises him to get rid of his mother’s suitors and travel to Pylos and Sparta to find information about his father.
Telemachus’ attitude towards Mentes is respectful. He offers him food and drink, and listens attentively to his advice. Upon hearing the advice of the stranger, Telemachus feels stronger, and the memory of his father becomes more lively. He feels so convinced by it he then advises Penelope to do the same: to keep the memory of her husband alive and gain strength through it, and to remember that it is the will of the Gods which has put Odysseus in that situation.
He learns news of his father from Mentes, but he also regains a sense of right and wrong and a sense of purpose. He recuperates the strength and courage to face the suitors, protect his mother and look for his father.
Athena is pleased with Telemachus because of this recovery but also because of his treatment of her and his respect and trust in the Gods.
