Richard Wagner used the ring cycle as an example of his gesamtkunstwerk theory by in full control of the production processes.
<h3>What is Der Ring des Nibelungen?</h3>
- The Ring of the Nibelung is a cycle of four German-language epic music dramas written by Richard Wagner under the opus number WWV 86.
- The works are loosely based on figures from Germanic heroic legend, specifically the Nibelungenlied and Norse legendary sagas.
- The cycle, which the composer referred to as a "Bühnenfestspiel" (stage festival play), was composed over three days and began with a Vorabend.
- It is frequently referred to as Wagner's Ring, the Ring cycle, or simply The Ring.
<h3>In the Ring Cycle, how many leitmotifs are there?</h3>
- Der Ring des Nibelungen is where Wagner uses the leitmotiv in its entirety.
- Over sixty different leitmotifs, used to portray everything from servitude to the magical ring itself, may be found in these quartet of operas.
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The answer is b. the state's population
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Answer:
hitler came to power by convincing the leaders and many people that the Jews did it all
Answer:
Implicit memory is occasionally called unconscious storage or automatic stored. Implicit memory uses past experiences without thinking about things. Previous experiments, no matter how long such experiences have taken place, enable implicit memory performance.
Explanation:
Implicit memory, procedural memory, allows us to do many physical daily activities, like walking and cycling, without thinking. Much of the implied memory is procedural in nature.
Procedural memory involves mainly new motor skills and is dependent on the brain and baseline ganglia.
When someone sings the first few words, remember the words to the song.
Easy cooking tasks such as boiling pasta water.
Take a familiar route every day, for example by commute or the store you frequently shop for.
Tasks that are routine in a familiar job, for example to sand for a carpenter or to chop onions for a chef.
In China from very early times, men have been seen as the core of the family. The ancestors to whom a Shang or Zhou dynasty king made sacrifices were his patrilineal ancestors, that is, his ancestors linked exclusively through men (his father’s father, his father’s father’s father, and so on). When women enter the early historical record, it is often because they caused men problems. Some women schemed to advance their own sons when their husband had sons by several women. Women’s loyalties were often in question. In 697 BCE, for instance, the daughter of one of the most powerful ministers in the state of Zheng learned from her husband that the ruler had ordered him to kill her father. After her mother advised her that “All men are potential husbands, but you have only one father,” she told her father of the plot, and he promptly killed her husband. The ruler of Zheng placed the blame on the husband for foolishly confiding in his wife. Taken together, accounts of these sorts present a mixed picture of women and the problems they presented for men in the nobility. The women in their lives were capable of loyalty, courage, and devotion, but also of intrigue, manipulation, and selfishness.
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