Answer:
16.5
Step-by-step explanation:
Since the plot of "The Wife of Bath's Tale" has at its heart a loathly lady who shape-shifts into a beautiful, young damsel, we might expect appearances to be important here. And they are, just not for the reason you might think. For instead of this being a tale about how a knight learns to appreciate people for what's on the inside and that outer appearances don't matter, it's a tale about how a knight learns to give up sovereignty to his wife. That sovereignty includes power over the body. The loathly lady's physical appearance becomes an important symbol of that body, so that, at the end of the tale, when she offers her husband a choice about how he wants her to look, she's in essence offering him control of her body. He grants this control back to her, thus proving his understanding of the doctrine of women's sovereignty in marriage. Medieval stories don't necessarily go in for the whole 'appearances don't mean anything' maxim anyway, as we've seen in the "General Prologue<span>."</span>
Given that ∠B ≅ ∠C.
to prove that the sides AB = AC
This can be done by the method of contradiction.
If possible let AB 
=AC
Then either AB>AC or AB<AC
Case i: If AB>AC, then by triangle axiom, Angle C > angle B.
But since angle C = angle B, we get AB cannot be greater than AC
Case ii: If AB<AC, then by triangle axiom, Angle C < angle B.
But since angle C = angle B, we get AB cannot be less than AC
Conclusion:
Since AB cannot be greater than AC nor less than AC, we have only one possibility. that is AB =AC
Hence if angle B = angle C it follows that
AB = AC, and AB ≅ AC.
The answer is B it best explains the definition of output
Answer:
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