Julie's approach was aimed at showing her positive points about the profession and the way she works. Warren's approach, on the other hand, was to show his strengths and the weaknesses of his competitors.
Although you didn't show the context of your question, it was possible to find a question similar to yours, which showed an exchange of emails between the partners of a law firm, where different partners were interested in working on a specific case. You can see all the emails and the question context in the attached screenshots.
When we read all the emails, we can see that:
- A famous singer being accused and looks for lawyers who can serve him.
- Three lawyers are interested in the case and send emails to the director of the company, showing why they should be chosen.
- Julie, one of the lawyers, shows that she is very interested in the case and that she is a very focused person, that she believes in the client's innocence, and that she has many professional characteristics that are favorable to this case.
- She doesn't say anything about the other lawyers who have an interest in the case.
- Warren, another lawyer interested in the case, takes a different approach. In addition to showing his professional points, he shows what are the negative points of his competitors.
- Furthermore, Warren states that he would like to work on this case, even if he is not chosen to lead the team of lawyers.
With this, we can see that Julie, focused only on the skills she has, while Warren focused on the skills he has and the disadvantages of other candidates.
More information:
brainly.com/question/17343927?referrer=searchResults
Answer:
A pronoun stands in the place of a noun. Like nouns, pronouns can serve as the subject or object of a sentence: they are the things sentences are about. Pronouns include words like he, she, and I, but they also include words like this, that, which, who, anybody, and everyone. ... This noun is called the antecedent.
'" Victor declares that he will "'hover near" and help to aim Walton's sword. His desire for revenge surpasses even his desire to remain alive; Victor has given up on his own life and only cares about his revenge now: such is the destructive power of revenge.
<span>Persuasive writing is work in which the writer tries to convince the reader to agree with their opinion.</span>
Answer and Explanation:
Character: Iago
>Possibly the most heinous villain in Shakespeare, Iago is fascinating for his most terrible characteristic: his utter lack of convincing motivation for his actions. In the first scene, he claims to be angry at Othello for having passed him over for the position of lieutenant. At the end of Act 1 Sc3, Iago says he thinks Othello may have slept with his wife, Emilia: "It is thought abroad that 'twixt my sheets He has done my office". Iago mentions this suspicion again at the end of Act 2 Sc1, explaining that he lusts after Desdemona because he wants to get even with Othello "wife for wife" None of these claims seems to adequately explain Iago's deep hatred of Othello, and Iago's lack of motivation—or his inability or unwillingness to express his true motivation—makes his actions all the more terrifying. He is willing to take revenge on anyone—Othello, Desdemona, Cassio, Roderigo, even Emilia—at the slightest provocation and enjoys the pain and damage he causes.
>Iago is often funny, especially in his scenes with the foolish Roderigo, which serve as a showcase of Iago's manipulative -abilities and prevalent machiavellian traits. He seems almost to wink at the audience as he revels in his own skill. As entertained spectators, we find ourselves on Iago's side when he is with Roderigo, but the interactions between the two also reveal a streak of cowardice in Iago—a cowardice that becomes manifest in the final scene, when Iago kills his own wife.
>Iago's murder of Emilia could also stem from the general hatred of women that he displays. Some readers have suggested that Iago's true, underlying motive for persecuting Othello is his homosexual love for the general. He certainly seems to take great pleasure in preventing Othello from enjoying marital happiness, and he expresses his love for Othello frequently and effusively.
It is Iago's talent for understanding and manipulating the desires of those around him that makes him both a powerful and a compelling figure. Iago is able to take the handkerchief from Emilia and know that he can deflect her questions; he is able to tell Othello of the handkerchief and know that Othello will not doubt him; he is able to tell the audience, "And what's he then that says I play the villain," and know that it will laugh as though he were a clown. Though the most inveterate liar, Iago inspires all of the play's characters the trait that is most lethal to Othello: trust.
