The heat capacity of the silver spoon at the given temperature difference is 817.65 J.
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Heat capacity of the silver spoon</h3>
The heat capacity of theb silver spoon is the quantity of heat absorbed by the silver spoon. The heat capacity of the silver spoon at the given temperature difference is calculated as follows;
Q = mcΔθ
where;
- m is mass of the spoon
- c is specific heat capacity of silver = 0.237 J/g⁰C
- Δθ is change in temperature
Q = 50 x 0.237 x (89 - 20)
Q = 817.65 J
Thus, the heat capacity of the silver spoon at the given temperature difference is 817.65 J.
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Whenever an object is in projectile motion, that is, it has 2-dimensional motion in the x and y axis, the resultant force on the object is in the y-direction.
This is because once the object has been projected, or the ball has been kicked in this case, there is no longer a force being applied on it in the x-direction. The air resistance is also neglected so the ball's final velocity in the x-direction is equal to its initial velocity in the x-direction.
However, the force of gravity cannot be neglected and causes the ball to come downwards. Therefore, after the ball has been projected, the net force on the ball is downwards, due to gravity.
At Divergent boundary, Crust is created.
At Convergent boundary, Crust is destroyed.
At Transform boundary, Crust is neither created nor destroyed.
<h3>What occurs at Divergent, Convergent and Transform boundary?</h3>
A divergent boundary occurs when two tectonic plates move away from each other. At this boundary, new oceanic crust is created.
Convergent boundaries are those boundaries where two plates are pushing into each other. These boundaries are pushing one of the plates under the other and back into the mantle to melt.
Transform boundaries are places where plates slide sideways past each other. At this boundary, Crust is neither created nor destroyed.
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Answer:
The cha-cha-cha, is a dance of Cuban origin. It is danced to the music of the same name introduced by Cuban composer and violinist Enrique Jorrin in the early 1950s. This rhythm was developed from the danzón-mambo
