Answer:
The time where the avergae speed equals the instaneous speed is T/2
Explanation:
The velocity of the car is:
v(t) = v0 + at
Where v0 is the initial speed and a is the constant acceleration.
Let's find the average speed. This is given integrating the velocity from 0 to T and dividing by T:

v_ave = v0+a(T/2)
We can esaily note that when <u><em>t=T/2</em></u><u><em> </em></u>
v(T/2)=v_ave
Now we want to know where the car should be, the osition of the car is:

Where x_A is the position of point A. Therefore, the car will be at:
<u><em>x(T/2) = x_A + v_0 (T/2) + (1/8)aT^2</em></u>
Answer:
Magnitude of net force will be 432.758 N
Explanation:
We have given x component of acceleration 
And vertical component of acceleration 
Mass of the ball m = 0.40 kg
So net acceleration 
Now according to second law of motion
Force = mass × acceleration
So F = 0.40×1081.896 = 432.758 N
Answer:
Their efforts would be expressed in units of Joules per second
Explanation:
The unit of their efforts can be derived from the formula of power which is given by the product of mass, acceleration and distance (the product is energy with unit joules) divided by time taken to complete the task (unit is seconds)
Therefore, the unit of their efforts would be joules per second
Answer:
B
Explanation:
Sunlight comes in the form of light energy. Upon striking the solar panels, it converts the light energy into electrical energy so as to run throughout the circuits. Then since it's used to power light, the electrical energy will be converted back into light energy
<span>The manipulation of natural sounds via the medium of magnetic tape is called "</span>Musique concrete".
Musique concrete refers to an experimental method of melodic composition utilizing recorded sounds as crude material. The strategy was created around 1948 by the French composer Pierre Schaeffer and his partners at the Studio d'Essai ("Experimental Studio") of the French radio framework. The major guideline of musique concrète lies in the collection of different regular sounds recorded on tape (or, initially, on plates) to deliver a montage of sound.